Watercolour obsession

a retrospective

Inspired by the Surrealists’ Automatic creative practices, I started applying it to creating character design concepts for a children’s’ book pitch. I then and moved on to automatic watercolour and pen meditative exercises. I love to watch watercolours and ink washes do their thing, as they mingle and flow. It’s a dance of guiding the paint and letting it dictate where it needs to be. The resulting patterns I can draw over, or not, are always perfect.

Experiment mode

A growing realisation that I needed to push my comfort zone led to testing random techniques for painting drawing over watercolours. It involved drawing over sections, creating layers of depth, playing with linewidths, and generally training my eye.

What did I learn?

I pushed some of these further into different directions than I’ve gone before. Not only is it a meditative act but the practice is creatively replenishing. Using pen over watercolour gives me more possibilities of pattern-making and shape language.

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At a certain point many people lose the ability to enter flow states of creative play. What are the reasons for this? Is it the outcome and achievement focused mindset, instilled through traditional education and assessment? Is it a fundamental neurological change as a function of evolutionary necessity? Or are the reasons mundane and more to do with shifting priorities and interests over time? Whatever the reasons, the benefits of maintaining an art practice are varied and consistently validated by research. Whether for general well-being, as medicine in the areas of mental health, or as facilitators of social change, art practice is good for individuals, their social and familial circle, and societies more broadly. Unfortunately, the creation of arts experiences for adults can be challenged when a commonly held narrative is “I can’t draw”. The critical modes of thinking and analysis we build over time ensures that the less competent we feel, the less likely we are to continue. Automatic drawing- a practice of ‘automatism’- takes the focus away from the expectations of outcome and onto the joy of the process itself. It’s an ideal entry point for adults and beginners alike, as it emphasises drawing in a way that facilitates a sense of engagement and play, while bypassing assessment and outcome-focused thinking. For experienced artists, automatism helps to sharpen art skills while reducing self-judgement, as a non-critical form of exploration and experimentation. Surrealists believed automatism provided enhanced access to the imagination while Tim Gula cites the practice being used by Jean Giraud (Moebius), Jack Kirby, and Alex Nino, all masters of their craft. Read more on automatism here- https://darrencfisher.com/2019/12/16/fsnau19-presentation-automatic-drawing/ #automatism #automaticdrawing #painting #timelapse #art #artistsoninstagram #workinprogress #timelapsepainting #drawing #Timgula #swinburne #swinburneanimators #swinburneuniversity

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Paint timelapse
Automatic drawing, pulling out shapes. A5 pencil and ink pens
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This is your brain on isolation

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The final watercolour automatic experiment for July

The Big Picture radio interview

I realised i hadn’t published this at all. It’s all about the Joker film, identity, and feeling uneasy in a cinema. I rudely dominate the conversation throughout

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